Showing posts with label Folkwear news. Show all posts
Showing posts with label Folkwear news. Show all posts

Thursday, April 14, 2011

Rich Beautiful Exhibits Everywhere

No need to tell you I've been busy and still grieving unexpectedly when alone, so I just couldn't write. But so much is happening in fashion exhibits that I must send this brief note.

Something to See in Every Corner
Until June 5, Pulp Fashion: The Art of Isabelle de Borchgrave is on exhibit at the Legion of Honor Museum, San Francisco. If you go to www.amazon.com you will find several books by de Borchgrave and others. I have ordered the book Pulp Fashion: The Art of Isabelle de Borchgrave by Jill D'Alessandro and was hoping to review it for you. But it hasn't arrived yet. There is one review that indicates it's a good book.
Ms. D'Alessandro is curator of the exhibit and gave a lecture earlier this year to the Textile Arts Council. I've heard wonderful comments both about the work and about the exhibit. I hope to see it soon and will tell you all about it. Meanwhile, I found a blog that has photos for you:
tomandlorenzo2.blogspot.com/2011/04/pulp-fashion-by-isabelle-de-borchgrave.html

Until July 4, Balenciaga and Spain is on exhibit at the de Young Museum, San Francisco. This exhibit is curated by Hamish Bowles, European editor-at-large of Vogue magazine, featuring nearly 120 haute couture garments, hats, and headdresses designed by Cristóbal Balenciaga (1895–1972).

I came upon a newspaper review with a few photos:
www.examiner.com/fashion-in-oakland/field-trip-balenciaga-and-spain-exhibition-at-the-de-young-museum This is another show not to be missed, even if I have to walk to get there!

An opening day symposium included speakers Hamish Bowles, Pamela Goblin, Miren Arzalluz, and Lourdes Font. I wasn't able to go, but all is not lost.
The conference was filmed for on-demand viewing. Pay $9.95 USD and you can watch the symposium for the duration of the de Young exhibition which ends on July 4. I watched the preview and wish I could have the whole thing on DVD! This is almost four hours of watching time but that's why you want to be able to go back again and again. Wonderful stuff!
http://fora.tv/conference/Balenciaga_and_Spain

Until June 19, Scaasi: American Couturier, Museum of Fine Arts, Boston
www.mfa.org/exhibitions

Until July 10, Yohji Yamamoto, Victoria & Albert Museum, London UK. A retrospective of this most innovative designer. www.vam.ac.uk/collections/fashion/yohji-yamamoto/index.html

Until July 31, Origin and Heritage of Ainu Culture, Burke Museum of Natural History
and Culture, Seattle WA. I just love their clothing designs! www.washington.edu/burkemuseum/exhibits/

May 4 – July 31 Alexander McQueen: Savage Beauty, Metropolitan Museum of Art, New York City. A grand retrospective for a brilliant talent lost too soon. www.metmuseum.org/special/se_upcoming.asp

June 16 – Sept. 18 Bojagi and Beyond, an exhibition of traditional patchwork Korean wrapping cloths and contemporary interpretations. Museum of Craft and Folk Art, 15 Yerba Buena Lane, San Francisco. 415 227-4888 www.mocfa.org

John Marshall Has A Blog!
John Marshall has decided to write a blog. He's doing what I like best in his classes, tells how he got to where he is now as an artist and shows us examples of his and others fine art. I mean, it took him six months to dye a piece of fabric for a jacket! It was six months before he could wash out the soy wax. Me, I'm lucky if I leave the fabric sitting overnight. And therein lies a huge difference in the end product. Have a look at John's blog. He makes me feel ok about writing my long ones! http://johnmarshall.to/blog/

More of the Eye Candy made by Priscilla Kibbee
I get so much pleasure from Priscilla's blog (http://priscillakibbee.blogspot.com) but also just as much from her friends' links. These two recorded recent events. At one Priscilla was helping/teaching one of her students, and the other records a recent Priscilla fashion show. Enjoy!
https://picasaweb.google.com/Elizabeth.Brandkamp/20110310GvqcMarchMeeting##

http://www.decampstudio.com/

New Folkwear Patterns
I heard from Kate Matthews of Folkwear Patterns. They have two new patterns coming out. One is a hat that looks perfect for garden parties or summer weddings, or to wear embellished to a street festival. The middy blouse has a flared hemline and sailor collar and also seems ideal for wearable art--more later when I see the pattern. www.folkwear.com

Friday, October 2, 2009

Of Artwear and Cats Too

Book Review of Silk Unraveled
When my sweet cockatiel Moe is flopping around having a seizure, and when the new kitten Sammy shows symptoms of a fatal virus, I need to sit down and look at photos with intense color, to kind of match my intense feelings. Just such a book is Silk Unraveled, Experiments in Tearing, Fusing, Layering & Stitching by Lorna Moffat. Dragon Theads Ltd., 490 Tucker Drive, Worthington, OH 43085. ISBN#978-099641201-0-5 www.dragonthreads.com The cover drew me in and the photos inside made me sing. Somewhere I read a review of this book that said something like, "There's nothing new here--I've seen all this before." I too had a sense of deja vu but you have to look deeper. What you've seen before, particularly in British craft books, could be this author's work. Do I recommend this book? I do, for the color and for the encouragement to experiment with silk--as in don't treat it like a precious fabric. Does it have fresh, new ideas? Well, they were fresh and new techniques some years back, but I like being reminded that I haven't even tried them all. The projects here use torn silk, fused silk, reverse applique, and layered silk. Will this work for wearable art? Of course, almost every idea whether for pillows or quilts can be adapted one way or another. But in fact, Lorna presents an idea for a kimono design, and a reverse applique vest. I do like her designs which I will adapt by using smaller sizes. Although she shows us photos of ethnic designs that she found in her travels and that inspired her, these are her interpretations.

There are many ways to create new fabrics and textures using scraps. I can see elements of the Spirals & Flowers Throw as a jacket. Stunning in fact. I really like some of her designs--they're included for us to trace. I'm torn about the recommendation. If you don't like loose threads and raw edge applique, you might wonder why I like this book. Yes, that torn or raw-edge technique looks sloppy (especially for silk) although it's also part of a style that was and is still popular. I like most of the designs and wouldn't waste my silk threads--in other words I'm inclined to do applique that will protect the edges. I dislike satin stitching so maybe I'd go to turning under edges or using my favorite machine small-blanket stitch. It gives a different look but could be a preferable one--this is where you experiment and make it your own. I consider this book inspiring and offering designs for when I draw a blank. As to the instructions, Lorna uses some British terms most of us are used to (gilet for a type of vest). This isn't a book for beginners because it doesn't teach the basics, but anyone who wants to experiment could manage well enough with what's here. Great up-close photos, bright colors, rich variety of exotic designs, and encouragement to try all kinds of silks--that's what I like about this book!

Continued Sampling of Last Bernina Show Garments
Debi Kuennen-Baker, Bernina Designer
In my last post somehow I missed that I had a photo of the back of Debi Kuennen-Baker's jacket in my files. See my last post for views of the front. What Debi "asks" is do we have to have a dull, almost invisible undercollar on a big fabulous collar? Obviously Debi doesn't think so. I find her choice to be startling, but it does make you take notice and think. She also raises the issue of matching sleeves. I hadn't noticed the difference from the front. That makes this jacket even more unusual and interesting. I like how the rose embroidery on the back is somehow slimming and blends the print into the plain black. Meryl Ann Butler took and sent these photos from the Bernina Show at the Quilt Festival in Long Beach--please review my last post for details.

Sharon Sawa, Bernina Designer
This very basic shape is Sharon Sawa's coat. Pieced from black and white fabrics, she appliqued colorful floral designs with variegated thread satin stitched edges. To me it looks like Sharon used all-over freemotion quilting in a sawtooth motion.
I wish I had the official notes that came with these garments since I don't have immediate access to these designers. The tunic underneath looks like a drapey rayon. There is variegated thread trim alongside the zipper and a few beads at the top and bottom of the inset waistband. I think matching beads are placed on the neck binding as well. The print looks too big for short-me, but I'd like to make and wear something similar, with proportionally-sized appliques for my stature. Sorry, I don't have a back view. I was just thinking that if the appliques were much smaller, they wouldn't balance as well against the busy black and white background. They have to be larger to stand out and be proportionally sized. It goes back to Sandra Ericson's talk about proportions which roughly said means you want to think in thirds. These appliques should be a third larger than the largest print in black and white and I think they are. Just testing my own thoughts out on you. Do you agree with this theory?

Folkwear News for Autumn
Kate Mathews (kate@folkwear.com) sent out Folkwear News for Autumn. In case you're not yet a subscriber, I'm including her list of exhibits to see now, with a few added comments from me so that you won't miss some other good stuff. The news from Kate about Folkwear Pattens (www.folkwear.com) is that they're developing a new pattern for a hat from the early 20th century (something like what Diane Keaton wore early in the film Reds). Its companion pattern: #268 Metropolitan Suit, a walking suit with military styling to the jacket and a sailor look to the blouse; the high-waisted skirt is mid-calf with a partial overskirt. Kate also added a suggestion: the pattern #148 Black Forest Smock from last month doesn't say to stitch down the small pleats at center front and back neckline, but they like the way it looked!

Events to See or Websites Worth Visiting (courtesy of Kate Matthews, www.folkwear.com)
# Dress Codes: Clothing as Metaphor, featuring 36 artists, including Louise Bourgeois and Nick Cave, who use the idea and form of clothing to explore social and global issues in their work. Katonah Museum of Art, near historic Bedford, 44 miles north of Manhattan, through October 4. www.katonahmuseum.org.

# The Perfect Fit–Shoes Tell Stories, an exhibition that looks at how shoes can tell stories, addressing topics such as gender, history, sexuality, race, class, and culture. Fuller Craft Museum, in Brockton, Massachusetts (once known as the shoe capital of the world), through January 3, 2010. www.fullercraft.org. See also Chunghie Lee: My Cup Overflows through Oct.18, 2009 Chunghie Lee is known for her pojagi, wrapping cloths used also in quilts and clothing. Note the upcoming exhibit and workshop with Nancy Crow.

# Coat Couture: Inspiration to Creation, featuring Ruth Funk's contemporary wearable art and the global textiles that inspired her, including African mud cloth, Chinese embroidery, Panamanian molas, and Asian ikats. Ruth Funk Center for Textile Arts, in Melbourne, Florida, through December 12. http://textiles.fit.edu. See also the collection gallery. Three items but beautiful.

# Fashion in Bloom, an exhibition of garments that feature flower motifs from the museum's Fashion Arts Collection. Among the designers represented are Norman Norell, Callot Soeurs, and Givenchy. Indianapolis Museum of Art, through January 31, 2010. An online tour of the exhibition gives a 360-degree view of the installation. www.imamuseum.org. Go to Textile and Fashion Arts to see a small gallery.

# Contemporary Japanese Fashion shows the radically inventive designs of Issey Miyake, Rei Kawakubo, and Yohji Yamamoto in this exhibit of 1970s and 1980s garments from the collection of Mary Baskett, an art dealer who has collected and worn Japanese high fashion since the 1960s. Through April 11, 2010 at The Textile Museum in Washington, DC. www.textilemuseum.org www.textilemuseum.org. There's a lot to see here--this show is under "upcoming exhibitions" but look around at the rest. There's a symposium about the evolution of Japanese clothing on October 16-18. http://www.textilemuseum.org/symposium.htm See too Fabrics of Feathers and Steel: the Innovation of Nuno. I was fascinated in an exhibit years ago, by what these folks think up as "fabric." There is much of interest coming up!

# Art of the Samurai: Japanese Arms and Armor, 1156-1868, including weapons, equestrian equipment, banners, surcoats, and accessories such as fans and batons. October 21 through January 10, 2010. Also, Tibetan Arms and Armor from the permanent collection, including decorated armor and equestrian equipment from Tibet and related areas of Mongolia and China, dating from 8th to 20th century. Through fall of 2010. Metropolitan Museum of Art in New York City. www.metmuseum.org.

# Gazette du Bon Ton was an early 20th century periodical that brought couturiers and painters together to promote the fashions of the time. This exhibit positions actual garments from the museum's collection with its illustrated page from the Gazette, such as a sumptuous Paul Poiret coat with a Georges Lepape drawing. Through May 30, 2010. Visit the web site to see detailed views of the exhibited items. Also, Michael Kors Designs from the Wendy Zuckerwise Ritter Collection, celebrating the designer's 30th year in the fashion industry, through November 2. Kent State University Museum, Kent, Ohio. http://dept.kent.edu/museum. See also the exhibit of The Art of the Embroiderer. Fabulous! The exhibit is over but they have detail photos here worth studying.

# Calder Jewelry, featuring jewelry created by sculptor and mobile-maker Alexander Calder (1898-1976) that demonstrates the artist's love of abstraction. Includes necklaces, bracelets, brooches, earrings, and tiaras that were worn by friends, family, and 20th-century cultural icons. San Diego Museum of Art, through January 3, 2010. www.sdmart.org. Check out the Dragon Robes of China's Last Dynasty. The quizzes are fun.

# Aisle Style: 150 Years of Wedding Fashion features the bride and her dress, as well as accessories, men's garments, trousseau treasures, and photographs. The show also explores wedding traditions, from orange blossoms and blue garters to the magnificent white gown. Visit the web site to see photos of the amazing array of wedding fashions. The Charleston Museum, Charleston, SC, October 16, 2009 through September 6, 2010. www.charlestonmuseum.org. Great slideshow!

# High Style: Betsy Bloomingdale and Haute Couture, exhibit of high-fashion garments by Bloomingdale's favorite designers that she donated to the museum over 30 years. Fashion Institute of Design and Merchandising, Los Angeles, through December 13. http://fidm.edu. I of course welcome any additional information about Project Runway--you'll find it here.

# The Heights of Fashion: Platform Shoes Then and Now, a look at platform footwear styles from the 1930s to the present. On the web site is a slide show of 14 images from the exhibit that will definitely take you back in time. Mint Museum of Art, Charlotte , NC through May 30, 2011. www.mintmuseum.org.

# Madeleine Vionnet: Puriste de la Mode, a retrospective celebration of the important early 20th century French designer who revolutionized women's fashion through elegant draping and use of the bias cut. Musee de la Mode and du Textile, rue de Rivoli in Paris, France, through January 31. www.lesartsdecoratifs.fr. Note in my earlier post that Sandra Ericson is going and offering to explain the show.

Crocheted Elf Slippers
I haven't been saying much about knitting and crochet even though I've been paying attention. I am so grateful to Interweave Press for the really fresh design ideas in their magazines. I also like Knitters and the Fons & Porter Knitting magazine, and of course the quality in Vogue Knitting. At first, when knitting hit it big again, all I could find were tired, recycled patterns. Books I hadn't seen in years were back on the stands. Some of them are still there, and some of the magazines are putting out the same old tired ideas. But Interweave and even Knitters caught my eye pretty quickly. I have lots of books to review on the subject, but not today. Instead I want to mention the pattern I found on Facebook. It's for crocheted slippers unlike any I've seen. These I've got to make!
The designer is from Chile, but provides some instruction in English and presents the pattern in chart form (universal language) so we can all try them. http://josefinayelamanecer.blogspot.com/2009/09/pantunflas-de-peter-pan.html

Show Schedule Reminder
I'm having a hard time getting to any shows this year. My husband isn't sure he can handle all the care and feeding of the pets in this house. I'm trying to convince him I could go to PIQF for one long day. We'll see. It's the 6 hours of driving there and back that kills me and my back. I hope you don't have obstacles and can go to any of these shows (and then please let me know what you saw and did so I can live vicariously through your experiences!). I do so miss going to Houston and some of the Sewing Expos. How else can you see what's new and what everyone is doing?

International Quilt Festival
Oct 14-18, 2009, Houston, TX
www.quilts.com

Pacific International Quilt Festival (PIQF)
Oct 14-18, 2009, Santa Clara, CA
www.quiltfest.com

AQS Quilt Show
October 28-31, 2009, Des Moines, IA
www.americanquilter.com

Original Sewing and Quilt Expo
November 5-7, 2009, Minneapolis, MN
www.sewingexpo.com

Original Sewing and Quilt Expo
November 12-14, 2009, Schaumburg, IL
www.sewingexpo.com

There must be others--please let me know so I can advertise them.

Why I Haven't Posted
I'm sorry I haven't written in so long, but time has really flown recently. First there was the wait for Mediacom to fix our internet connection. Two weeks and two visits later we had a new modem. Meanwhile I started physical therapy three times a week for whatever the problem is with my sciatic nerve. It's been a summer of pain and I can't lean over the cutting table. Then I met this little guy on my way to pick up the mail.
No one in houses nearby claimed he was theirs. First we fed him, next day off to the vet, and so started our three weeks of Sam Cooke on the run in the house. If I sat at the computer he chewed on my toes or licked my chin. If he wasn't asleep, I was babysitting and medicating. Eventually I took him outside on a leash. Some people stopped by the side of our road saying they thought I have their cat. Well, as a matter of fact I did, but the vet had said he'd been neglected. Long story short, two little girls had hiked over to get their kitty back so what could I do but hand him over--and drive them home but with admonishments to their mom that he needed much more healthcare. I even offered to help. I was worried about him. But once he was gone, I finally had time again to look around online and it looks to me like he has FIP which is fatal (a virus involving peritonitis). Broke my heart!! Meanwhile I was picking away at getting this post written.

Waste Canvas
Since I was so busy with Sammy and couldn't get any fabric cutting or embroidery or sewing done, I took the time to look around for waste canvas online. Amazon advertises it as something they bring in from Joanns. But if you go to the Joann's online catalog, they don't carry waste canvas. Then I found the Create for Less site: http://www.createforless.com. They sent me an email the same day saying they had shipped my order, and it was here in two days! I was impressed. I also ordered from their long list of clearance books. Check it out. I got great service at an excellent price.

Jane Sassaman Artwear
See what Jane Sassaman is doing with her fabric designs. I call this wearable art because it's interesting how she combines fabric patterns. http://sassaman.blogspot.com/

How to Fix a Broken Heart
Finally, here's Lolalee. I picked her out of a grocery cart in the heat last Friday evening. The little girls trying to give away the cats had sprayed them with water to keep them cool. Uh oh! First I said no, I'm too vulnerable, still hurting after losing Sammy. "Oh, ok, I'll just pick up one." Uh huh, I was done! My husband wasn't pleased. Lolalee went to the vet today, seems healthy, is only 6 weeks old (and was both unweaned and not potty trained!) and is a tortoiseshell. Some people feel that this type of cat has a personality all their own--feisty, hot-tempered, and possessive of their human. Well, the last bit has shown up. How does she trust me so much so soon? Every evening so far when I sit for the 10 pm news, this little being climbs up my legs, makes herself at home on my chest and takes a nap. Adorable! And she's learned to pose already!

Project Runway
I just thought of something. Tonight was yet another episode of Project Runway on tv and I don't really care who wins. It's not in a negative sense, it's just that I like the work most of them are doing and wish they could all win. Of course they will, one way or another. I get the sense that most of them land opportunities to grow. We're not having quite the histrionics and name-calling and drama queens and I'm fine with that. I would like to see more sewing, how they manage to get those details done and so fast (invisible help?) but all in all I'm enjoying the show. How about you? Thanks for reading, Rosalie

Thursday, June 11, 2009

Judy Dieter's Jacket, Folkwear News, and Kenneth D. King Classes


Judy Dieter used the Mt. Fuji Jacket Pattern from Brensan Studios www.brensan.com. I've used this same pattern, like its shape and large areas to do with it what you will. I too strayed from the pieced layout. If you try this pattern, compare all the pattern lengths before you cut. I can't find my notes now, but I remember finding a discrepancy. Regardless of that, it's a good pattern to have--and maybe the problem has been fixed by now.

It was just a fluke--I drove to Shelley's Quilted Treasures in Kelseyville to touch some great fabric and say hi to Brenda. I had a need to talk sewing and such. She told me the Moonlight Quilters of Sonoma County were having a quilt show--so I went. I've never met this group but their website looked promising: www.mqsc.org. Most quilt shows include some wearable art and this one didn't disappoint. I wanted to show and tell you about the one that interested me the most.



Judy did exemplary work (I'm sorry that my photos aren't up to the standard of her work--I took them on the fly as I marched through the exhibits). I believe all her fabric manipulations can be found in Rami Kim's book, Folded Fabric Elegance. I reviewed it in this blog on January 29, 2009, so please check the archives. I'm sure you all know that there are people who admire wearable ART and people who prefer WEARABLE art. I admit I get a bit annoyed with the latter group because I feel if you're going to make wearable art you want it to be noticed and to show that you like or make good design with your hands, not just add a bit of embellishment. On the other hand, I rather suspect that my own work belongs in the latter group because I don't have the nerve to pile on too much in the first go-round.


But what Judy Dieter shows us is how you can build in subtlety through color choices and sticking to two colors, and then adding a lot of techniques which provide both texture and interest. You should see the perfectly piped front edges! The gingko crest is gold silk doupioni that might have been fused (it's very smooth and flat) and she satin-stitched the edges. Beautiful! What might be hard to see in the photos are two areas of hand-embroidery. One strip has French knot flowers. The round strip uses beads for flower heads. Nice. See the piece that looks like blue rickrack? Those are two-fabric prairie points and their placement over hand-dyed blue fabric gives that effect. Notice too the variations on prairie points. You can see hers better than my violet ones in January. I saw a lot to like in this jacket but had very little time to stand and enjoy it, so am grateful both for being able to take the photos and for finding Judy and getting her permission to post my photos.


Message from Kate Mathews, owner of Folkwear Patterns
I'm going to assume that not everyone who reads this blog has signed up to get Kate's emails. I find them so interesting that I'm copying the latest one here, with Kate's permission.

Summer Greetings to our Folkwear Friends!
When I start pulling warm-weather clothes out of the back corners of my closet, I always think back to old favorites that I wore in summers past. For example, when I lived in Albuquerque, New Mexico, I wore lightweight cotton dresses from Mexico all summer long. They were easy to find, with colorfully embroidered yokes, and were so cool and comfortable. Now that I live in North Carolina, these happy dresses live only in my memory, so for this year I decided to make my own! I immediately thought of the Blouse in #125 Huichol Wardrobe http://www.folkwear.com/americas.html (front and back drawings shown here).
I'll cut it to dress length and without the sleeves (just turn under and topstitch the yoke's armhole seam allowances). I love the small pleats below the yoke because, unlike gathers, they keep the finished garment from looking too blousy—which is great for maternity wear but no longer for me. I'm going to add some multicolored machine embroidery to the yoke and may also experiment with decorative stitching partway down the pleats. By the time I finish, it should be in the 90s here, so I hope to have some cool new frocks that also bring back warm memories.

What's New at Folkwear?

Elizabeth is finishing up the garment samples of the newly re-published #148 Black Forest Smock. We chose doubleweave cotton with a geometric design for the man's smock and a related but contrasting cotton for the shoulder yokes and neckband. The woman's smock is made out of lovely white-on-white embroidered cotton with sheer white sleeves. She's making a bias sash out of the sheer white cotton and adding embroidered ribbon trim that coordinates with the fabric of the man's smock. Now we're looking for models to wear them for the photo session, so you will soon see these two special garments on the web site (#148 Black Forest Smock in the Old Europe Collection). http://www.folkwear.com/oldeurope.html

There's inspiration everywhere!
If you need to refresh your creative energies, you won't have to go far this summer. Just look at this amazing lineup of special events—they will make you want to hit the road with your sketchbook or idea journal:

# Fashion in Film: Period Costumes for the Screen, featuring costumes from Evita, Dangerous Liaisons, Pride and Prejudice, Out of Africa, Titanic, and other movies. Allentown Art Museum in Allentown, Penn., through August 9. www.allentownartmuseum.org.

# Writing with Thread: Traditional Textiles of Southwest Chinese Minorities, featuring more than 500 objects from the museum's collection of Southwest Chinese ethnic minority costumes. Museum of International Folk Art in Santa Fe, New Mexico, through August 16. www.moifa.org.

# Wearing Wealth and Styling Identity, featuring handwoven and embellished tapis (skirts) from Lampung, South Sumatra, Indonesia. These sumptuous garments communicate a family's global contacts, social station, and clan identity. Hood Museum of Art, Dartmouth College in Hanover, New Hampshire, through August 31. www.hoodmuseum.dartmouth.edu.

# Indonesia and the Zone of Attraction, featuring textiles from Java, Sumatra, Borneo, and other locations. Museum of Art at Rhode Island School of Design in Providence, RI, opening June 26. www.risdmuseum.org.

# Recent Acquisitions, including hats from Peru and Cameroon, a turban from India, contemporary batik from Java, grass raincoat from China, and other items acquired within the last five years. Through January 3. Also, Flowers of Silk and Gold: Four Centuries of Ottoman Embroidery, an online "virtual" continuation of an earlier exhibition. The Textile Museum in Washington, DC. www.textilemuseum.org.

# The Model as Muse: Embodying Fashion "focuses on iconic models of the 20th century and their roles in projecting, and sometimes inspiring, the fashion of their respective eras." A virtual walk-through of the galleries can be seen on the web site. Through August 9. Also, Tibetan Arms and Armor from the permanent collection, including decorated armor and equestrian equipment from Tibet and related areas of Mongolia and China, dating from 8th to 20th century. Through fall of 2010. Metropolitan Museum of Art in New York City. www.metmuseum.org.

# Unspoken Messages: The Art of the Necklace, including pieces from Chinese Miao culture, Morocco, Hawaii, and India. Minneapolis Institute of Arts, through September 13. www.artsmia.org.

# Elegant Armor: The Art of Jewelry, featuring innovative pieces from the permanent collection, dating from 1940s to the present. Visit the web site for a good selection of images of pieces in the show. Museum of Art & Design in New York City, through July 5. www.madmuseum.org.

# Five Centuries of Indonesian Textiles, dazzling textiles from as early as the 1500s. Los Angeles County Museum of Art, through September 6. www.lacma.org.

# 4th Annual Outstanding Art of Television Costume Design, featuring costumes from television's past and present. Fashion Institute of Design and Merchandising, Los Angeles, through September 6. Also, several online "virtual" shows including the 17th Annual Art of Motion Picture Costume Design Exhibition. www.fidm.edu.

# Fashioning Felt, an exhibition of historic examples of felt as well as contemporary product design and applications in fashion, architecture, and home furnishings. Cooper-Hewitt National Design Museum in New York City, through September 7. www.cooperhewitt.org.

# Sturbridge Antique Textiles and Vintage Clothing Show, a marketplace for thousands of textile lovers looking for vintage pieces and bargains. July 13 and September 7, at the Sturbridge Host Hotel and Conference Center on US Route 20. www.vintagefashionandtextileshow.com.

# Isabel Toledo: Fashion from the Inside Out, a look at the American designer who says, "…the seamstress is the one who knows fashion from the inside! That's the art form really, not fashion design, but the technique of how it's done." Through September 26. Also, Fashion & Politics, an exploration of more than 200 years of politics as expressed through fashion, including flag-motif designs, a Nixon paper dress, and memorabilia from historic elections, through November 7. Fashion Institute of Technology in New York City. www.fitnyc.edu.

# As the Century Turns: The World of the 1890s, an online slide show of staged tableaux with fully costumed wax-headed articulated dolls from the turn of the 20th century. Lacis Museum, Berkeley, Calif. www.lacismuseum.org.

# Gazette du Bon Ton, an exhibition of fashion plates from the early 20th century magazine, known for its collaboration of couturiers and illustrators to promote leading edge styles, opening June 25. Also, Michael Kors Designs from the Wendy Zuckerwise Ritter Collection, celebrating the designer's 30th year in the fashion industry, through November 2. Kent State University Museum, Kent, Ohio. www.dept.kent.edu/museum.

# Intersections: Where Art and Fashion Meet, an exhibition pairing important works of art with significant designer fashion to celebrate the exuberance of art, fashion, and popular culture. Goldstein Museum Gallery, St. Paul, Minnesota, through November 1. http://goldstein.che.umn.edu/

# Madeleine Vionnet: Puriste de la Mode, a retrospective celebration of the important early 20th century French designer who revolutionized women's fashion through elegant draping and use of the bias cut. Musee de la Mode and du Textile, rue de Rivoli in Paris, France, through January 31. www.lesartsdecoratifs.fr.

May your summer be filled with creative inspiration and special memories!
NOTE: Let us know if you have ideas for new patterns. We love to hear from you. Kate at www.folkwear.com

News from Kenneth King www.kennethdking.com
Hello, Folks! I’m going to be visiting the ASG Atlanta Chapter on July 24-25, 2009, and it’s filling fast! To get in, go to www.asgatlanta.org, or http://www.asgatlanta.org/KennethKingJuly2009.pdf or call Martha Myers, at 770-642-8985. Events will be held in Roswell, GA.

##Friday July 24, 2009, 7-9PM Lecture and Book Signing–Demystifying the Creative Process
This free-form lecture will cover Kenneth’s way of looking at the creative process. The goal is to prepare students to dive in and create in any discipline and all areas of daily life. The process includes exploration, inspiration, mistakes and misfires—all go into the finished work.
Kenneth will also be signing copies of his new book, Cool Couture.

##Saturday, July 25, 2009, 9:00 a.m. to 4:00 p.m.--Pattern Drafting Workshop: Skirts
How to draft commonplace skirt silhouettes from measurements. After learning the proper way to measure, students will draft a straight skirt, an A-line skirt, and an A-line skirt with center pleat. This is the perfect introduction to those wishing to build confidence in pattern drafting. Lunch is included.
Supply List:
• white paper (banner or project paper)
• pencils & eraser, paper scissors
• long ruler and any sort of square (6” wide Olfa works for both)
• tape measure
• 3 yards of 1/4” elastic
• Scotch tape
• tracing carbon (can be typing
carbon) and tracing wheel

I Can't Resist (showing you this)
If you talk to teachers about color, they will tell you to study nature. Look at the amount of yellow in a rose and then look at all the colors that are also there. Look at the proportion of green to offset the yellow, etc etc. So I do that, I watch the indigos in the landscape and sky just after the sun has set. I also like blue and pink together. A lot of people say eww! but this is where I keep my own counsel. So imagine my delight at sunset tonight. These were the scenes from our balcony:



Till next time, Rosalie